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Archived from the original on 16 June Retrieved 4 December Archived from the original on 5 March Retrieved 6 December Retrieved 16 May Archived from the original on 23 November Retrieved 1 April Archived from the original on 18 December Retrieved 17 December BBC News. Archived from the original on 24 July Archived from the original on 2 August Archived from the original on 11 August Archived from the original on 20 December Retrieved 15 December Eon Productions.

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Archived from the original on 24 April Retrieved 7 December The New Yorker. Archived from the original on 17 December November Archived from the original on 22 December Retrieved 17 April Archived from the original on 13 November The Daily Telegraph. Archived from the original on 15 September Vote, Pictures ". The Huffington Post. Archived from the original on 6 December Retrieved 8 December Daily Telegraph.

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F1 Fanatic. Keith Collantine. Retrieved 2 November Archived from the original on 20 February The Official James Bond Website. Independent Print Limited. Archived from the original on 13 March Retrieved 13 March Comic Relief: Red Nose Day. Archived from the original on 9 January Retrieved 19 May Retrieved 21 July Retrieved 6 October Retrieved 9 June Archived from the original on 19 July Archived from the original on 25 March Retrieved 25 March Archived from the original on 14 June Retrieved 21 May Archived from the original on 21 June Retrieved 25 October Retrieved 5 January Archived from the original on 22 March Retrieved 22 March The Official Charts.

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White as Mr. Stephanie Sigman Estrella as Estrella. Domenico Fortunato Gallo as Gallo. Sam Mendes. John Logan screenplay by story by Neal Purvis screenplay by story by Robert Wade screenplay by story by. More like this. Storyline Edit. Did you know Edit. In Fleming's "Octopussy" short story, Bond says of him: "He taught me to ski before the war, when I was in my teens.

He was something of a wonderful man. He was something of a father to me at a time when I happened to need one. Goofs Lesioning the fusiform gyrus could result in face blindness, but the drill that Blofeld uses goes nowhere near the gyrus - it in fact drills through the mandible and would've entered Bond's mouth. At best doing nothing, at worst giving bond a wicked bad sinusitis or meningitis.

Quotes Mr. Crazy credits The gunbarrel sequence has returned to the start of the movie. The BBFC informed the filmmakers that cuts would be required in two scenes before a 12A rating, instead of an uncut 15, could be obtained.

These were made prior to formal submission and it was duly passed at 12A with no further changes. Reductions to "strong bloody injury detail" were made in the following two scenes: The eye gouging now only shows an establishing shot of the thumbs being inserted, then cuts to a counter-shot from behind the victim's head when the slightly bloody thumbs emerge.

The uncut version showed this all from the front, including the aftermath. The suicide now takes place off-screen and with reduced detail. The uncut version showed the man putting the gun under his chin and firing with a spray of bloody mist, and two subsequent shots showed brain tissue hanging down from the back of his head.

These cuts persist in all worldwide versions of the film. User reviews 1. Top review. Daniel Craig's silliest Bond. The wonderful thing about the James Bond franchise is that there's always another one on the way. With its sights set on eternity, the franchise currently has 24 legitimate installments and shows no signs of slowing. This never-ending stream of films allows generations of actors and directors to tackle the character, which inevitably leads to some fantastic results — and others not so fantastic.

As always, a Bond film thrives first and foremost on the sophistication of its lead actor, and although Daniel Craig has proved his infallible refinement in previous installments, like "Casino Royale" and "Skyfall" , his talents aren't supported nearly as much in "Spectre". Here, it's almost as if Craig is playing a caricature of Bond, drinking twice as much alcohol, being twice as confident and forward with the ladies and enduring twice as many blows to the face.

In other words, this is the first time in a while that a Bond film has come off as just plain silly. That's not to say that the Bond franchise is unfamiliar with silliness. The roots of the character on-screen lie in the campy and absurd. But Craig has thus far played a very dramatic version of Bond, the most realistic of any in the franchise, and has been met with critical acclaim.

So it comes as a big surprise to see that where its counterparts built something original and fresh, "Spectre" has fallen for nostalgia, bringing back the preposterous action set pieces, horribly sexist and out-of-touch female counterparts, and oddly shallow villains. And, if I'm being honest, it's the film's primary villain that really let me down. Franz Oberhauser is as convoluted and multi-layered as any other Bond villain, but with the added kick that he's being played by Christoph Waltz, one of the best actors alive that has a real knack for playing great antagonists.

But instead of using him like "Skyfall" used Silva played by Javier Bardem , with intelligence and tact, "Spectre" leaves him literally cloaked in shadow for most of the film. But even once Oberhauser finally comes into play, he never makes much of an impression. In fact, he's pretty similar to every other villain in modern action movies — distant, cold and calculating, as formulaic as they come. Having said all of that, I want to be as transparent as possible — all of this ridiculous silliness can be a lot of fun.

Even though the film doesn't present itself in the most intelligent way, "Spectre" knows how to entertain its audience. So even though many of the action sequences are founded in faulty logic, all of them are visually spectacular. Each explosion, car chase and gunfight is handled with extreme care, and all are choreographed beautifully. There are plenty of "Did you see that? When leaving the theater, I had to ask myself whether or not the film's sheer crudeness made it a wholly low-quality experience, and I can now answer that with a definitive no.

Even though I saw through every twist and turn the film took, I was still laughing and smiling the whole way through.

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