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England Bucking the trend of his highly successful academic and aristocratic family, twenty-three year old Colin Clark Eddie Redmayne is instead determined to work on the production side of movies. Having met him previously, Colin doggedly pursues a job, any job, with Laurence Olivier Productions.

Colin sees that Monroe is a very scared and insecure person about her acting abilities, and thus paranoid, she who requires the constant support of her entourage, especially Miller and Strasberg. These insecurities lead to problems on the set with almost all of the others, which is exacerbated by Olivier's angry frustration toward her, he who does not believe in the Method.

It does not help that Olivier's wife, Vivien Leigh Julia Ormond has her own insecurities about what she believes is Olivier's romantic fascination with Monroe. Seeing the problems, Colin tries to bolster Marilyn's confidence with his own secret words of encouragement.

So when Miller decides to head back to the U. Colin's ensuing time with Marilyn during production threatens many things in his life, including his burgeoning romantic relationship with the production's wardrobe assistant, Lucy Emma Watson. Through the process, Colin may be in way over his head, as most people who see him and Marilyn together suspect he is.

I never really had much interest in seeing this movie. However, this really isn't what the film turned out to be. While it did have to do with the actress, it was not some sort of schmaltzy bio-pic--it had meat to it. And, incidentally, some darn fine acting. The movie is specifically about the production of the movie "The Prince and the Showgirl".

This isn't in the film--this is part of movie history some of which can be found in the IMDb trivia for that film. However, what "My Week With Marilyn" helps the viewer to understand is what was occurring and why. While Marilyn was a mess and slowed production to a crawl, you see in the film is isn't because of any malevolence on her part--just a lot of baggage, insecurity and mental illness.

I never particularly cared about her before--but as I watched Michelle Williams play her, I found myself on the verge of tears several times--she was a very gifted but sadly damaged young lady. What I liked about the film was just about everything. I loved the colors chosen for the film--lots of muted colors such as khaki to give it a s look. I loved the interesting script based on Colin Clark's book. I particularly the acting--Williams and Kenneth Branagh as Olivier were exceptionalsuch that I soon forgot that they were not the actual actors.

Marvelous and I particularly am pulling for Williams with her Best Actress nomination--she was just dynamite. Well worth seeing--particularly for folks like me who are classic movie fans and have seen "The Prince and the Showgirl". It is always hard making biographical dramas of actresses known for their beauty or portraying the actresses themselves, as evidenced by the wildly variable executions of how well they come off or not.

Whether it is a completely truthful account of Marilyn Monroe's life at this chapter of her life or not was never going to cloud my judgement of how to rate and review 'My Week With Marilyn'. What mattered much more was how the film fared on its own two feet, and 'My Week With Marilyn' fares mostly very well and is beguiling stuff.

Not one of the greatest biopics ever made in a list that includes 'Amadeus' and 'The Elephant Man' but generally of the portrayals of actresses known for their classic beauty it's one of the better-faring ones. By all means, there are flaws. The direction can be rather blandly workmanlike and there is too much of a heavy-footed feel that jars with the lightness of the material itself.

The film has a tendency to drag in the more intimate scenes with Monroe and Clark, which does suffer from occasional disjointed-ness, some trite moments and lack of chemistry at times. Julia Ormond is also badly miscast as Vivien Leigh, it is a very phoned in and indifferent performance that anybody not familiar with the actress herself but is aware of her reputation will question her appeal, she is also somewhat too healthy-looking but also not beautiful enough for a woman plagued with physical and mental health problems in her later years.

To a lesser extent, Dominic Cooper struck me as too young and doesn't have much to do to really register. However, 'My Week With Marilyn' looks wonderful. The production and costume design were among the most visually exquisite and evocatively designed of that year, the period is perfectly evoked that it's like you've been transported back in time and are actually there and it's a beautifully shot film not as incredible of that for 'The Tree of Life' and 'Hugo' but close.

The soundtrack brilliantly and beautifully captures the mood of the film, it's sensitively composed without being too low-key and never intrusive or too made for television. It's also evocative of the period. Not everything in the script works, there are some trite and disjointed parts but they are far outweighed by the very thought-provoking, funny and sincere ones, it's fluff but very charming fluff. The storytelling drags occasionally, but is also very entertaining and heartfelt with the scenes with Monroe and Laurence Olivier being particularly intriguing and well done.

Ormond aside, the acting is very good. Michelle Williams allures and completely captivates as Monroe herself, blending a sultriness, childlike lust and a darker and more destructive nature seamlessly. She matched by Kenneth Branagh's spot-on Olivier, being hilarious, sympathetic and believable in his exasperation, Judi Dench's splendid Dame Sybil and Zoe Wanamaker's gleefully scene-stealing and wonderfully stern turn.

Dougray Scott has been criticised by some, personally had little problem with him, and there is much more of a resemblance to him as Arthur Miller than Ormond as Leigh, other than his American accent being overdone. Eddie Redmayne gives a very sensitive portrayal in a role deliberately not written as interestingly as the rest, as, despite being the film's heart, he is not the film's focus and was never intended to be as meaty as Monroe or Olivier.

On the most part, 'My Week With Marilyn' was very worthwhile and beguiling. Well worth the time, as long as watched as a film on its own two feet and not as a history lesson.

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